iCarlys Miranda Cosgrove: Michelle Obama Has Good Comic Timing

First Launched: The month of the month of january 18, 2012 4:03 PM EST Credit: Access Hollywood Caption Access Hollywood Live: Miranda Cosgrove Talks Dancing With First Lady Michelle Obama On iCarly & College Plans La, Calif. -- First Lady Michelle Obama just came out on Nickelodeons iCarly and series star Miranda Cosgrove had great praise on her behalf once co-star. Shes really funny in solid existence, so she's good comic timing, Miranda told Billy Rose rose bush and Package Hoover on Wednesdays Access Hollywood Live. Miranda mentioned no matter the very first Ladys moment limited, they knocked the episode very easily. She was probably there for just two several hours which we'd several things to film and then we required to go kind of fast, nevertheless it was only fun coping with see her dance and stuff. She mentioned that part was her favorite, Miranda mentioned. Obtaining the Presidents wife on set did include added security concerns. There has been lots of Secret Service people and so they come a couple of days before simply to consider the region and so they meet everybody plus you've got to supply them your computer data and stuff, Miranda referred to. After which it when she found the set, shes so relaxed and nice she loved dancing and basically talking about fashion. She actually was awesome. It absolutely was her first-time acting too. Miranda is presently concentrating on her new adventure college existence. I obtained into NYU and USC and Ive been racking your brains on which to go to because I deferred for just about any year since Im doing my show, now its really reducing to the level where I have to come to a decision, she mentioned. And theres been somewhat pressure for your actress to stay local from her family My dad loves USC as they visited and my parents dont want me to go to NY, however love NY, she mentioned. iCarly airs Saturday nights at 8/7c on Nickelodeon. Copyright 2012 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

Golden Globe Those who win Arent an unexpected

The 2011 Golden Globe those who win were introduced on Sunday, there were not a lot of surprises within the film groups. Most likely the greatest one was that "My Week with Marilyn" qualifies like a comedy/musical. Not surprisingly, supporting honors visited Christopher Plummer for "Beginners" and Octavia Spencer for "The Assistance,Inch each of whom looked wonderful and gave great speeches. Within the Comedy/Musical category, "The Artist" required best film, using its star Jean Dujardin winning lead actor. Michelle Williams required lead actress honors for "Marilyn." Within the Drama category, "The Descendants" won top honors using its star George Clooney winning Best Actor over fellow hunks Ryan Gosling, Kaira Pitt, Leonardo DiCaprio and Michael Fassbender. Best Actress, a neck in neck race between Viola Davis of "The AssistanceInch and Meryl Streep of "The Iron Lady," saw Streep emerge victorious. With what may have been really the only surprises, "Night time In Paris" required screenwriting honors and Martin Scorsese won Best Director for "Hugo." This inflammed me in the beginning, however i figure Scorsese lost for a long time as he must have boy, so I am okay with him winning a couple of now.What exactly does all of this mean for that Academy awards? Very little, really. I suspect the Globes, so that they can seem like they are able to predict the Academy awards, choose who they believe will win the Oscars. This is exactly why early front runners previously like "Babel" and "The Social Networking" took the very best prize, simply to watch it be a waste on Oscar evening. Quite simply, Clooney should not relaxation easy at this time--Pitt's directly on his heels.Other ideas in the evening:Was everybody else as disturbed with that clip of Cecil B. DeMille Award recipient Morgan Freeman singing "I Enjoy Have a Bath Inside A Casket" (above) when i was?I've trouble searching at TV Drama champion Kelsey Grammer since his looks on "The Actual Average women of Beverly Hillsides." The next people didn't look amused by host Ough Gervais: Tina Fey, Amy Poehler, and particularly Elton John. And lastly, for me personally, the good thing from the evening: Melissa McCarthy's tears of pleasure for Octavia Spencer winning Best Supporting Actress. Find Out More ON Behind The Curtain

Performing rights key holders

ASCAP7920 Sunset Blvd., 3rd FloorLos Angeles, CA 90046Phone: 323-883-10001 Lincoln PlazaNY, NY 10023Phone: 212-621-6000Execs: Paul Williams, prexy & chairman John LoFrumento, CEO Randy Grimmett, executive VP domestic membership Shawn LeMone, VP film & TV music / visual media Michael Kerker, assistant VP musical theater Sue Devine, sr. director film & TV music (NY) Mike Todd, sr. director film & TV music Simon Greenaway, director film & TV music UK/Europe Charlyn Bernal, associate director film & TV music Jennifer Harmon, associate director film & TV music Jeff Jernigan, associate director film & TV music Alisha Davis, film & TV associate representative Nancy Knutsen, special consultant film & TV musicBMI (LOS ANGELES)8730 Sunset Blvd., 3rd Floor W.Los Angeles, CA 90069Phone: 310-659-9109Execs: Doreen Ringer Ross, VP Film/TV Relations Ray Yee, Exec. Director Film/TV Relations Lisa Feldman, Sr. Director Film/TV Relations Anne Cecere, Director Film/TV Relations Philip Shrut, Assoc. Director Film/TV Relations Michael Crepezzi, Exec. Director Performing Rights Casey James Robison, Director Writer/Publisher Relations Marlene Meraz, Director, Media Relations Barbara Cane, VP & GM Writer/Publisher Relations Tracie Verlinde, Exec. Director Writer/Publisher Relations Delia Orjuela, VP Latin Marissa Lopez, Assoc. Director LatinBMI (NASHVILLE)10 Music Square EastNashville, TN 37203Phone: 615-401-2000Execs: Jody Williams, VP Writer/Publisher Relations Clay Bradley, AVP, Writer/Publisher Relations Kay Clary, Sr. Director Media Relations Bruce Esworthy, Sr. VP, Finance/Administration & CFO Jim King, Sr. VP, Business Technology BMI (NY)7 World Trade Center250 Greenwich St. NY, NY 10007-0030Phone: 212-220-3000Execs: Del R. Bryant, President & CEO Mike O'Neill, Sr. VP Repertoire & Licensing Richard Conlon, Sr. VP, Corporate Strategy, Communications & New Media Philip R. Graham, Sr. VP Writer/Publisher Relations Alison Smith, Sr. VP Performing Rights Charlie Feldman, VP Writer/Publisher Relations Samantha Cox, AVP Writer/Publisher Relations Wardell Malloy, Sr. Director, Writer/Publisher Relations Jamil Walker, Associate Director, Media RelationsSESAC (ATLANTA)981 Joseph E. Lowery Blvd NW, Suite 111Atlanta, GA 30318Phone: 404-897-1330Execs: Cappriccieo Scates, associate director, writer/publisher relationsSESAC (LOS ANGELES)6100 Wilshire Blvd.Suite 700Los Angeles, CA 90048Phone: 323.937.3722Execs: James Leach, VP writer/publisher relations, West Coast operations JJ Cheng, associate VP, SESAC Latina Nelson Gonzalez, marketing manager, SESAC Latina Celeste Zendejas, associate director, SESAC LatinaSESAC (MIAMI)420 Lincoln Road, Suite 502Miami, FL 33139Phone: 305-534-7500Execs: Albert Ramirez III, associate director, SESAC LatinaSESAC (NASHVILLE)55 Music Square EastNashville, TN 37203Phone: 615-320-0055Execs: Tim Fink, VP, writer/publisher relations Shannan Hatch, Sr. Director, writer/publisher relations John Mullins, Sr. Director, writer/publisher relations Amy Beth Hale, Director, affiliate servicesSESAC (NY)152 W 57th St, 57th FloorNY, NY 10019Phone: 212-586-3450Execs: Trevor Gale, Sr. VP, writer/publisher relations Linda Lorence-Critelli, VP, writer/publisher relations Jamie Dominguez, Director, writer/publisher relationsSOCAN 41 Valleybrook Drive Toronto, ON M3B 2S6 Canada Phone: 416-445-8700 Toll free: 1-800-55-SOCAN Execs: Eric Baptiste, CEO Jennifer Brown, VP licensing Betsy Chaly, Director marketing & communications Dan Greenwood, VP corporate planning & business change Jeff King, COO France Lafleur, VP membership & GM Quebec & Atlantic Region Mike Lewin, VP distribution operations Christian Sarrazin, VP industry development and international Janice Scott, VP information technology C. Paul Spurgeon, VP legal services & general counsel Randy Wark, VP human resources & CAO David Wood, CFO Return to MUSIC FOR SCREENS: WINTER 2012 Contact Variety Staff at news@variety.com

Academy Sights Moving Oscars From Kodak Theatre

The crowd that puts round the Academy awards is mulling an idea to move the favored event in show business in the longtime home, "The Hollywood Reporter" has learned. After nearly 10 years within the Kodak Theatre in Hollywood, the other day the Academy of motion Picture Arts & Sciences exercised a clause within the contract and informed the CIM Group, which has the venue, that could gradually slowly move the Oscars elsewhere following a 2013 show."Our plan at this time around is always to exercise this [option] after which it see what continues, what continues. We're open," Tom Sherak, leader in the Academy, notifies "THR" inside an interview. "Personally, I like the Kodak. I'll condition that until I'm blue hard. I've had the knowledge since the beginning. But over the following year the Kodak while others may come to us as well as the [Academy] board will decide eventually.InchThe Oscars are actually locked in the Kodak since 2002 nevertheless the Academy's extended-term contract while using venue includes an "out" clause after ten years.InchThis is really purely a business decision," states area of the Academy board of governors, the non-profit group's version from the board of company company directors. "The finish outcome is we'll have a look at other locations and give consideration to any or all offers. We may ultimately decide to stay where we are as possible negotiate a far greater lease. Remember, all things have happened there."The board member is mentioning for the financial problems adversely effecting Kodak. Whenever a global giant, the Rochester, NY-based clients are not capable of effectively increase the risk for transition in the world where images are adopted film to at least one where situations are done digitally. In October, Kodak declined it is going bankrupt but recognized it's hired a great investment bank to help it deal with its options. It absolutely was another situation within this summer time 2000 when Kodak acquired naming rights for the 3,401 chair theater inside the then-new Hollywood & Highland complex on Hollywood Blvd. Kodak, then still an international leader in imaging, made the decision to pay for $75 million over 2 decades to own its title round the theater. It has been making $4 million annual obligations since.However when Kodak does not, or cannot, continue since the title sponsor round the theater, the CIM Group will most likely goal to market the naming rights to another business. Obtaining the Oscars is a huge prepaid calling card within this settlement, since it guarantees global brand exposure. This is the leverage the Academy thinks accounts for muscle in re-settling its contract.On Friday, an agent for your CIM Group mentioned Kodak is current on its obligations. The business declined to comment further, proclaiming that its professionals weren't available due to the holiday.About 10 years ago, the Kodak deal will be a coup for your Academy. After a period of moving the Oscars among different venues, the completely new theater was produced by David Rockwell in the Rockwell Group and Theatre Projects Consultants in consultation while using Academy to create a perfect home for your annual telecast seen by greater than 1 billion people worldwide. The initial Oscar show kept in the Kodak happened in March 2002. The following happens on Feb. 26, 2012.The Kodak has significant advantages over another La theaters. It's one of the greatest stages anywhere, which measures 113 foot wide by 60 foot deep. It provides a special cockpit for camera, appear and stage management inside the orchestra sitting room. Furthermore, it's undercover cabling for hooking up it to trucks together with other tools outdoors the theater.Losing the Oscars is a large blow for the Hollywood & Highland center and owner CIM Group. The complex itself pays tribute towards the best-known tenant. The grand staircase within the entrance for the theater is between posts bearing what they're known as of past best picture Oscar individuals who win. Furthermore, numerous occasions have gone the Kodak lately, like the "The The American Idol Show ShowInch finals, which gone after the Nokia Theater at L.A. Live downtown, which has about 7,000 seats nearly two occasions the Kodak. A completely new Cirque Du Soleil production, "Iris," has already established up residence within the theater. The final outcome on if you should stay in the Kodak comes at any time of major modifications in Academy leadership. In April, Beginning Hudson transformed longtime executive director Bruce Davis, who outdated. Ever since then, sources the Academy remains searching whatsoever areas of its business and methods. The 2012 ceremony will be the last with Sherak as Academy leader. He's experienced the board for nine many remains leader for three years, and beneath the bylaws he cannot run again.Whenever a lawyer told Sherak that there's an option being exercised once the Academy preferred to think about other theaters 10 years following a original deal was signed, he spoken about this while using new leadership as well as the board, who then thought we would inform the Kodak the Academy wouldn't simply renew its deal.The Academy governor who spoken with "THR" demands the crowd is not unhappy while using Kodak Theatre. It will be a prudent business decision to educate yourself regarding all options. The crowd really loves the venue, they mentioned, and favors to keep the ceremony in Hollywood. Nevertheless it will depend around the provide the audience is supplied in comparison with other possible arenas that exist.Much more than time, the Oscars are actually kept in both small , large venues, in Hollywood and elsewhere. The initial Oscar occasions were kept in 1929 within the Roosevelt Hotel, nearby within the Hollywood & Highland complex. The large event, held just like a banquet, then gone after the Ambassador and Biltmore Hotels.Beginning in 1942, to have the ability to accommodate more participants, the ceremony as well as the banquet, now referred to as Governor's Ball, were separated. Inside the mid-40s, the Oscars were kept in Grauman's Chinese Theater, that's alongside what is the Hollywood & Highland mall. In 1949, the 21st honours were inside a theater possessed with the Academy on Melrose Ave. Then it attended live for the reason that that was referred to as RKO Pantages Theater in Hollywood for 11 years. That was where the Oscars were held on March 19, 1953, the initial year it increased to become tv event too.In 1961, Oscars gone after the Santa Monica Social Auditorium. In 1969, the Academy awards were kept in the then-new 2,500-chair Dorothy Chandler Pavilion within the Music Center in downtown L.A. They ongoing to become there until 1987, after they gone after the larger Shrine Auditorium near to the USC campus in downtown L.A. That venue covered greater than 6,000 participants.The Oscars moved forward and backward involving the Music Center and Shine until they moved in 2002 for the Kodak, which was introduced their new "permanent" home.The Academy will get control the Kodak each winter for approximately thirty days, including time to prepare, retain the event after which it to apparent the theater. The comfort of year the Kodak may be used since the permanent home of Iris, Theoretically, that relate might have to go all seasons lengthy once the Oscars left.Meanwhile, the Academy is busy together with other projects that require funding, making the board a lot more aware of the requirement to raise money and cut costs once we can. Taken the Academy introduced plans for just about any new museum being created with the La County Museum of Art. It will likely be in the former mall space near LACMA, the Petersen Automotive Museum as well as the George C. Page Museum. It's forecasted being open in three years.The Academy can also be prone to create a new outdoors stadium that will show movies on property it has in Hollywood not definately not the Hollywood & Highland complex. This website was being where you can a more ambitious movie museum but due to economic conditions never got built. The Hollywood Reporter

Mega Buzz: Castle's Tough Choice, Housewives' Health Scare and a Diaries Death?

Stana Katic, Felicity Huffman, Nina Dobrev Every week, editors Adam Bryant and Natalie Abrams satisfy your need for TV scoop. Please send all questionsto mega_scoop@tvguide.com. Please tell me Castle and Beckett will still be in a good place when the show returns in January? -Anna ADAM: They'll be in a good place, but maybe not for long. When a dead woman ends up in the mayor's car, Beckett will find herself afraid of pursuing the most obvious suspect. "The stakes are enormous," creator Andrew W. Marlowe tells us. "If something happens to the mayor, Castle is not going to be able to continue his partnership with Beckett. How do you deal with an investigation when you're compromised because of the way you feel?" Got any scoop on Desperate Housewives? -Jennifer NATALIE: Two Wisteria Lane women will be stricken with two different diseases: One is of the venereal ilk and the other is even more severe. We'll go ahead and tell you that Bree is one of the women, and based on her upcoming escapades, it's probably safe to assume she's not the one about to battle cancer. So Rebecca's coming back on The Vampire Diaries? Please tell me that doesn't mean Elena is in danger! - Hayley ADAM: Well, somebody is in danger. Big danger. (I mean, isn't someone always on this show?) "There is definitely a major character whose fate is looking bleak," executive producer Julie Plec tells us. But not, like,Aunt Jenna bleak, right? "[He or she] may not come out the other side of a terrible life-or-death situation," Plec teases. Eek! Any guesses? Got any scoop on Revenge, Bones, Ringer, True Blood, or Castle? --Harry NATALIE: OK, that's plenty to choose from! On one of these shows, the leading man will be shot by a bullet intended for a person he'd rather kill himself - it's fair to call the other man a romantic rival, but it's not a complete description of their relationship. It's been a while since we had any good Blue Bloods scoop. - Will ADAM: When Danny's friend is gunned down during an undercover drug bust, he becomes consumed by the search for his killer. But solving the case will be the easy part. Linda is so shaken by the murder that she will ask Danny to choose between her and the department once and for all. Will Schmidt and Cece ever hook up on New Girl? -Tara NATALIE: Schmidt's dreams are about to come true, and after they've done the deed, he will shout it from the rooftops. (He will then put a dollar in the jar.) How will Cece feel about their flirtation/fling going public? How do you think? Can you tell me anything about Parenthood?-Kathryn ADAM: Zeek may have conquered ED with his smooth-as-silk acting skills, but in the real world, there's some question about his overall health. When a clumsy pharmacist accidentally gives Crosby his father's prescriptions, he learns that his dad isn't exactly as hale and hardy as he appeared in the ad. Anything good happening on Rizzoli & Isles? -Sammy NATALIE: The most difficult part of being a cop is putting those you love in the way of potential harm. The ladies will learn this the hard way when two family members are the victims of a hit-and-run as well as a shooting. How is Homeland going to get Carrie back into the CIA? -Josh ADAM: Whatever happens, we're betting that Saul will be leading the charge. "[Saul and Carrie's] relationship is sort of the axis of the series," executive producer Alex Gansa tells us. "In many ways, it's the focal point of the show." Our theory? Saul uses his knowledge of the drone attack to get Estes fired. Once Saul takes over, he brings Carrie back into the fold. Right? Is there any hope for Adam and Diana on The Secret Circle? -Jaime NATALIE: Sorry to break it to you, Jaime, but Diana is moving on. "She's going to be struggling for a bit," executive producer Andrew Miller says, "but you can't keep that girl away from love because she's too amazing, so there will be love for Diana in this half of the season. It'll just come from an unexpected place." Is Sheriff Roosevelt going to be a part of Sons of Anarchy next season? -Bart ADAM: If creator Kurt Sutter has his way, you bet. "We have not made a deal yet for him next season, but ... he is definitely open to it," Sutter says, noting that he likes the challenge Roosevelt presents to SAMCRO. "He is difficult for the Sons. They know how to go after a guy who just wants to shut them down. And then they know how to pay off a guy and keep him on the take.But how do you navigate around a cop who is a real cop? That will be a fun exploration." What's in store for the Shameless premiere? -Arnie NATALIE: This scoop will be as shameless as the series itself. James Wolk and Emmy Rossum. Naked. In public. Not enough? OK, how about this? William H. Macy. Half-naked. In the restroom of a gay bar. Adam's Mega Rave: We were sweating just as much as Brody watching the pivotal attack scene of Homeland's outstanding season finale. Would he do it? Ohmigod, yes! But it's a good thing he wasn't able to, since it means we'll still have Damian Lewis to kick around next season. Natalie's Mini Rant: Agreed. But here's hoping that Brody's plan to affect policy isn't as boring as it sounds. Crave scoop on your favorite TV shows?E-mail Adam and Natalie at mega_scoop@tvguide.comor drop us a line atTwitter.com/TVGuide Editor's Note: This will be the last Mega Buzz column of the year. Until Adam and Natalie return in 2012, entertain yourselves with our Best of the Year special section. Happy Holidays! (Additional reporting by Joyce Eng, Robyn Ross and Kate Stanhope)

VIDEO: James Franco's NYU-GradeGate Receives Gory, Hard-Hitting News Animation it Deserves

A former NY University film professor made headlines recently for suing the school, which he said fired him for giving barely present graduate student James Franco a D in his class. Jos Angel Santana alleges not only racist employment practices at NYU, but also that, “In my opinion, they’ve turned the NYU graduate film degree into swag for James Franco’s purposes, a possession, something you can buy.” Burn. Anyway, none of this would matter were it not for the requisite Taiwanese news animation showcasing both Santana’s firing and a reimagining of 127 Hours that’s quite possibly better than Danny Boyle’s film itself. NMA.tv has the story below. I’d err on the NSFW side of caution if I were you, but you tell me. Follow S.T. VanAirsdale on Twitter. Follow Movieline on Twitter.

Broadway B.O. slips 3% for week

'The Lion King'Broadway did a backslide after last week's gains, with overall box office decreasing by 3% and attendance falling 4% in week 29. Those declines were softened somewhat by newly previewing shows "Porgy and Bess" ($292,703, attendance 2,564 for two performances) and "The Road to Mecca" ($80,118, attendance 2,268 in five perfs). Subtract those ducats and butts and the Main Stem was off more than 4% in terms of dollars and nearly 6% of attendance. B.O. dropoff was especially severe at "Sister Act" ($601,705, off 23%) and the flagging one-act collection "Relatively Speaking" ($345,133, a drop of almost $400,000 from its peak in Week 23). The news was not all bad on the Rialto, though. "The Lion King" took the overall crown for the third consecutive week with a haul of $1,833,881, up 2% against last week. Audiences also flocked to "Billy Elliot" ($817,957, up 2%) in advance of its closing on Jan. 8, and "How to Succeed in Business Without Really Trying" ($1,100,832, a 6% increase) to see star Daniel Radcliffe before his upcoming departure. Plays were also hit less hard than musicals, with "Other Desert Cities" ($551,176) continuing to command a per-ticket price above $100 and "War Horse" ($988,373) galloping along at 100% attendance more than eight months after opening. The prognosis is less rosy for struggling David Henry Hwang play "Chinglish" and just-opened basketball-Greek comedy-musical "Lysistrata Jones." "Chinglish" played to 35% of capacity at the Longacre, while "Jones" sold tickets for $25.14 on average, or $2 less than its lowest advertised price. Even taking opening-night comps into account, that's terrible news for the newcomer. However poor the news this week, legiters should look for Broadway to bounce back nicely during the final weeks of the year as tourists swarm to Midtown Manhattan. Indeed, recently opened Harry Connick, Jr. starrer "On a Clear Day You Can See Forever" ($744,076) and "An Evening With Patti LuPone and Mandy Patinkin" ($480,422) both increased their box office by adding an eighth performance to their weekly schedules to capture the winter crowds. Overall Broadway cume tallied to $24.3 million, up nearly $400,000 against last year, when three more shows were playing. Contact the Variety newsroom at news@variety.com